Gail loved her life in the almost countryside, the gravel driveways and lush greenery. She was not as keen on the neighbours who drove too fast by the house. Her two girls played by the side of road, rode their bicycles, chased the dog. Gail had repeatedly asked the municipality for a speed bump or a traffic sign, but to no avail. She decided to take matters in his own hands.
She was a design artist by trade, had studied Fine Arts. She decided her best bet would be to create the illusion of obstacles. It was spring. Potholes seemed in order. Using the actual potholes as a starting point, Gail took pictures of them at different times of the day, in sunny and cloudy weather. She did not bother to capture their likeness under the rain, since the girls were seldom out in foul weather, and people were more cautious in bad weather.
One day, she came out with her paints and brushes and proceeded to create first her first trompe-l’oeil. Her project included three potholes, strategically placed to take advantage of the existing ones. The drivers would not know which were true and would need to slow down because of the uncertainty. She did one the first day, brushing the pavement to clean the surface, positioning her garden kneeling pad to protect her knee. Gail wore an orange vest and a sun hat and had positioned a few traffic cones to secure the area. The first car slowed down, waited, then went around. Amanda was driving the second car that went by. She rolled down the window, “What are you up to?” “Protecting the kids,” she answered laconically. Amanda parked her car in her driveway and took the groceries in. A few minutes later, she came by on foot, holding two popsicles. “Break?” she offered.
Gail got up, surveying her work with a critical eye. She took the orange popsicle, her favorite flavour, and took a few steps back. Two neighbourhood kids came by to look, one on his bicycle, the other on a skateboard. They looked at the paintbrushes, tilted their heads. “What are you doing?” “It’s a safety initiative,” she replied. “What does that mean?” “I’m painting things on the road to make people slow down.” He was rocking his bike back and forth, nervously. He couldn’t wrap his mind around it. “Do you think it will work?” “I don’t know, it’s an experiment.” “Will you change it over time? Add debris or sand, or pebbles?” “That’s a good idea. I haven’t thought this far ahead.” The boy who had been quiet spoke up. “You could paint water and the reflection of the tree there.” He pointed at a maple. Then the kids would want to splash around and they’d be all surprised when nothing came out.” She smiled. She had eaten the popsicle quickly, because of the heat, and was ready to go back to work. “Thanks for the ideas, guys.”
She knelt down and finished the painting. The boys stood watching and grunted their appreciation when she sat back on her heels, her work done. “When can we ride over it?” “Give it an hour to dry. I’ll remove the cones when it’s ready.” They rode off. When she took the cones away, they came racing down the street only to avoid the hole at the last minute, hopping over it. She clapped. They clapped back. “It looks real,” the cyclist said. “Hard to tell the difference,” opined the skateboarder. The three of them got out of the way. A car was coming. The driver slowed down to avoid the pothole. High fives all around. She waited a few days and painted a second one. She was more daring, and made it bigger, adding cracks in the asphalt around it. There weren’t many people around during the day. She felt safe.
The residents grumbled about the state of the street. Some took side streets, others complained to the municipality. Soon, a municipal truck came and a workman came out with an orange spray can. He circled the offending potholes, including the trompe l’oeils. Gail came out. “Excuse me, sir? Please, these are not real.” He stopped, annoyed. “Do you mind if I take a few pictures of you with the potholes?” “What for?” “To send to your superior.” “Go ahead.” “May I have their name?” He handed her a card on the back of which he scribbled the name and email address she required. The kids were back, listening, one on his bicycle, his friend on his skateboard. “You can’t put asphalt over this, it’s already flat. Look.” She walked over it. He raised an eyebrow and dipped his toe. Hard surface. “Well, I’ll be.” He crouched and passed a hand over the “hole”. “Did you do that?” “Yes, I called the city and they wouldn’t install a speed bump. The drivers weren’t paying attention to the speed limits posted. There are a lot of kids in the neighborhood.” She pointed to the boys. The man smiled. “Can you paint some in my street? I’ve forbidden my kids to ride their bikes at certain times. It’s just nuts.” “I’ll see what I can do for you,” he added. It was his turn to take down her coordinates.
That evening, the phone rang. A local journalist wanted to write a story on her “installation”. Would she be willing to be interviewed? After the article came out, her services were in high demand. Her art was very realistic. She started making larger pieces, speed bumps and collision debris. At first, she charged a nominal fee, to cover her material, but as demand grew, she started charging more. It was still cheaper than getting a crew to do the work and it tricked people into paying attention. Her own city hired her part time as a consultant, recognizing her efforts in making the streets safer.
The fakes had to be labeled, so the guys filling the holes would not get fooled into trying to fill them. They had been ridiculed enough the first time it happened, when a video went viral on the Web.